
Neva Again: Hip Hop Art, Activism and Education in Post-Apartheid South Africa is the culmination of decades of work on Hip Hop culture and Hip Hop activism in South Africa. It speaks to the emergence and development of a unique style of Hip Hop hip-hop activism in the Western and Eastern Capes of South Africa.
Neva Again draws on the contribution of hip-hop scholars, artists and activists. It is unique in that it weaves together the many varied and rich voices of this dynamic Hip Hop scene to present a powerful vision for the potential of youth art, culture, music, language, and identities to shape our politics.
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INTRODUCTION: Neva Again: Hip Hop Art, Activism and Education in Post-apartheid South Africa – Quentin Williams, Adam Haupt, H. Samy Alim & Emile Jansen
PART ONE: Bring That Beat Back: Sampling Early Narratives
- Power to the People: An Interview with POC in 1994
- Age of Truth Two Decades of Democracy
- Coming to Hip Hop in the Early 90s
- Godessa’s Entry into Hip Hop in the early 2000s
- The B-boy is an Activist
- Bush Radio’s ALKEMY and Hip Hop Activism 2.0
- Bush Radio’s ALKEMY and Hip Hop Activism 1.0
PART TWO: Awêh(ness): Hip Hop Language Activism and Pedagogy
8. Hip Hop Language Critique as Sociolinguistic Activism
9. Afrikaaps and Hip Hop
10. Hip Hop as a Valorising Practice
11. Hip Hop Never Saved My Life, but It Changed My Life
12. “Pedagogies of the Formerly Oppressed” – Hip Hop Education in Cape Town, South Africa
13. Hip Hop Activism
14. Hip Hop Pedagogies: Beyond “Soul Murder,” “Linguistic Looting” and “White Supremacist Delusionalism”
15. A Commentary on Alim and Ariefdien’s “Beyond ‘Soul Murder,’ ‘Linguistic Looting,’ and ‘White Supremacist Delusionalism’”
16. Raak Wys: Countering Cultural Assimilation Through Rhyme and Reason
PART THREE: Remixing Race and Gender Politics
17. “They Tried to Bury Us”: Hip Hop Poetry, Politics & the Power of Words Worth Saying
18. The More Things Change.... Race and Representation in Contemporary SA Rap
19. A Son of the Sun: a Reflection on Hip Hop and my Father
20. Boss Bitches/Boss Ladies
21. ‘My Seeds Must Proceed’
22. My Poetic Prime
23. “Langa State of Mind”: Talking Race, Class, Gender, and Sexuality
24. Queering Hip Hop, Queering the City: Dope Saint Jude’s Transformative Politics
PART FOUR: Reality Check: the Business of Music
25. Hip Hop Activism, Change and Creativity –
26. Creative Currency: Is There an Art to Selling Art?
27. Digital Music Distribution
28. ‘Die Blikkie se Boem is Uit’: a B-boy’s Reflections
29. Building an International Profile as an Artist –
30. Decolonising Knowledge: Reading Hip Hop Sampling in Relation to Scholarly Publishing
BruinTeaser
Music composed by Bradley Lodewyk (aka King Voue), Nadine Matthews and Adam Haupt
Lyrics composed and performed by Adam Haupt, Nathan Lodewyk and Nadine Matthews
Chorus performed by Nadine Matthews
Verses performed by Adam Haupt and Nathan Lodewyk
Guitars: Adam Haupt
Bass: Grant Phillips
Drum programming: Bradley Lodewyk and Gary Erfort
Dividing Lines
Music composed by Bradley Lodewyk
Lyrics composed and performed by Amy Brown, Zama Dedan Kimathi, Agape Dirtypro Tadana and Adam Haupt
Chorus composed and performed by Amy Brown
Turntablism by John Colin
Gangsta
Music composed by Eddy Strings and Bradley Lodewyk
Verses performed by Quentin Williams, Adam Haupt and Imraan Cupido
Lyrics composed and performed by Quentin Williams, Adam Haupt and Imraan Cupido (aka Imie Vannie Delf)
Chorus performed by Naftali Solomons
Verses performed by Adam Haupt and Imraan Cupido
Guitars: Eddy Strings
Saxophones: Chloe Rezant and August West
Bass: Matthew Lenting
Percussion: Bradley Lodewyk
Guns
Music composed by Adam Haupt
Lyrics composed and performed by Amy Hendrickse (aka Amy Brown), Imraan Cupido (Imie vannie Delf), Nathan Lodewyk, Agape Dirtypro Tadana, Emile Jansen and Adam Haupt
Chorus performed by Adam Haupt
Verses performed by Amy Brown, Imie vannie Delf, Nathan Lodewyk, Agape Dirtypro Tadana & Emile Jansen
Guitars: Adam Haupt
Bass: Matthew Lenting
Drum programming: Gary Erfort & Bradley Lodewyk
Turntablism: DJ E20 (aka Enver Peters)
Persevere
Music composed by Adam Haupt
Drum programming: Bradley Lodewyk
Lyrics composed and performed by Monishia Schoeman, Emile Jansen, Adam Haupt with additional vocals by Razeen Haupt
Chorus performed by Naftali Solomons and Adam Haupt
Guitars: Adam Haupt
Bass: Robin Thompson
Keyboard: Desmond Blake
State Capture
Music composed by Bradley Lodewyk
Lyrics composed and performed by Adam Haupt, Monishia Schoeman & Natasha C. Tafari
Chorus performed by Nadine Matthews
Verses performed by Adam Haupt, Monishia Schoeman & Natasha C. Tafari
Guitars: Bradley Lodewyk, Eddy Strings and Adam Haupt
Bass: Matthew Lenting
Drum programming: Bradley Lodewyk and Gary Erfort
Trickle Down
Music composed by Adam Haupt
Lyrics composed and performed by Emile Jansen, Stefan Benting, Agape Dirtypro Tadana, Shameema Williams, and Adam Haupt
Chorus performed by Adam Haupt and Razeen Haupt
Guitars: Adam Haupt
Bass: Robin Thompson
Keyboard: Desmond Blake
Drum programming: Bradley Lodewyk